T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
2021
GRAPHITE is an interdisciplinary arts journal supported by the Hammer Museum, dedicated to producing critical and creative projects in an integrated physical and digital space. Each issue is centered around a theme that responds to contemporary events and ideas, the twelfth issue (300 copies, 188 pages, 6” X 9”) focusing on the concept of attention.
Type Unseen
Type Unseen
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
Type Unseen was conceptualized in early 2020 as a means to uncover trends followed by young typographic designers, championing abstract experimentation and ornamentation over meaning. The book is a compendium of ten case studies, catalogued within four different sections: showcasing typography as image and pure form; as a means of producing identity; as a catalyst for protest; and as a way of being.
2023
A commission by CK to reimagine their classic logo with the theme “euphoria”, used as part of the design system for their SS2024 campaign.
T Magazine - Editorial Design
2021–Present
2021–Present
A monthly print publication of the New York Times newspaper, T is dedicated to fashion, art, travel and design coverage.
Persimmons
2019
2019
An interactive book translating a poem into generated art through linguistic analysis and code.
A study in semiotics through the comparison of Rodchenko’s Fire Escape (1924) and Ren Hang’s Untitled (2016), culminating in a translation of the photographs into their typographic representations.
2022
Custom invitations and menus designed for Hermès’ dinner celebrating their creative director, Nadège Vanhee-Cybulski.
Flat Journal
2019–2021
2019–2021
FLAT is a platform for theoretical and critical texts, interviews, reviews, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2020
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. Through interacting with LBT as a flip book, both real satellite images and artificially generated images of national borders become animated.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2020
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. Through interacting with LBT as a flip book, both real satellite images and artificially generated images of national borders become animated.
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
A study in semiotics through the comparison of Rodchenko’s Fire Escape (1924) and Ren Hang’s Untitled (2016), culminating in a translation of the photographs into their typographic representations.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2020
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. Through interacting with LBT as a flip book, both real satellite images and artificially generated images of national borders become animated.
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
A study in semiotics through the comparison of Rodchenko’s Fire Escape (1924) and Ren Hang’s Untitled (2016), culminating in a translation of the photographs into their typographic representations.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2020
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. Through interacting with LBT as a flip book, both real satellite images and artificially generated images of national borders become animated.
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
A study in semiotics through the comparison of Rodchenko’s Fire Escape (1924) and Ren Hang’s Untitled (2016), culminating in a translation of the photographs into their typographic representations.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2020
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. Through interacting with LBT as a flip book, both real satellite images and artificially generated images of national borders become animated.
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
A study in semiotics through the comparison of Rodchenko’s Fire Escape (1924) and Ren Hang’s Untitled (2016), culminating in a translation of the photographs into their typographic representations.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.
2020
An experimental publication (160 pages, 5” X 7.5”) which explores the border as a divisive line from the dual perspectives of humans and machines. Through interacting with LBT as a flip book, both real satellite images and artificially generated images of national borders become animated.
Type Unseen
2020
2020
Type Unseen (76 pages, 5” X 9”) is a reader on illegible graphic design and visual nonsense; it analyzes the influence our youth culture has had on experimental typography, all the while exploring the multitude of philosophies that drive us to construct and deconstruct meaning.
A study in semiotics through the comparison of Rodchenko’s Fire Escape (1924) and Ren Hang’s Untitled (2016), culminating in a translation of the photographs into their typographic representations.
RE:CONNECTIONS
2021
2021
Exhibition graphics and online degree show displaying work by CalArt’s 2021 graduated MFA cohort in Art, Photography & Media, and Art & Technology.
2021
Designed with FISK under the creative direction of Bijan Berahimi, the vinyl record label for Future Classic’s DJ Tools Volume One breaks down the album’s title into abstract compositions.
2023
The digital covers of T Magazine are animated versions of the print editions — bringing the designs to life through a combination of kinetic typography, moving image, and video.